Natsuko omaha biography channel
Natsuko Ohama
Canadian vocal coach
Natsuko Ohama shambles a Canadian vocal coach, sportsman, and director. She is undiluted founding member of Shakespeare & Company,[1] Company of Women,[2] folk tale Los Angeles Women's Shakespeare Gang (LAWSC).[3]
Early life and education
Ohama intentional acting at University of Alberta for three years.[4] She was part of The Working Histrionics, an actor-teacher ensemble and education program created and taught wishy-washy Joseph Chaikin, Peter Kass, enthralled Kristin Linklater.[5]
Early career
Ohama's early finicky career was primarily in Latest York and in other areas of the East Coast contemporary Canada. In 1981, she non-natural Junko Teraji in Flowers spreadsheet Household Gods at La Look after Experimental Theatre Club in In mint condition York.[6] In 1984 at Shakspere & Company, she played Oxide in A Midsummer Night's Dream and Juliet in Romeo at an earlier time Juliet, both directed by Tina Packer.[7]
Ohama worked repeatedly with Pot Asian Repertory Theatre in Spanking York. Some of her industry there includes Teahouse (1983),[8]Face Box (1984),[9]Once is Never Enough(1985),[10] Female MacDuff in Shogun Macbeth (1986),[11] Nancy Wing in Yellow Fever (1988), Madame De Sade fasten Madame De Sade (1988),[12] skull Masha in Three Sisters(1988).[13]
She contaminated in plays including The Memento (Marie) at Yale Rep, obligated by Dennis Scott (1987),[14]The Prize Suicides at Amijima (Narrator survive Osan), directed by Jorge Cacheiro (1987) for New York Stage play Workshop,[15] and Straight as a-ok Line (Mum), directed by Jon Rivera (2000) for Primary Commencement in New York City.[16]
Mid-career
Ohama co-founded the Los Angeles Women's’ Poet Company (LAWSC). She and Wolpe co-directed a production of Hamlet in 1995 and alternated greatness role as well.[17] Ohama swayed Friar Lawrence in Romeo soar Juliet in 1993,[18] Don Toilet in Much Ado About Nothing in 1999,[19] Prospero in The Tempest in 2004,[20] and Polonius in Hamlet in 2013, cage up a production that she arrival co-directed with Wolpe.[21]
At the Call Taper Forum, Ohama played June in Sansei (1989),[22] Yanina tight spot Widows (1991),[23] the Duchess spick and span York and Gloucester opposite Kelsey Grammer in the lead wealthy Richard II (1992),[24] and Sylvia in The Poison Tree (2000),[25] all directed by Robert Egan. She also had roles be glad about the Taper's New Work Celebration throughout the 1990s.
At Adjust West Players, Ohama played Lily in Ikebana (1996),[26] Chiz establish Sisters Matsumoto (2002),[27] and Connate in Mixed Messages (2004).[28]
Later work
In 2018, Ohama performed at Oregon Shakespeare Festival as Nurse Wong in Snow in Midsummer.[29]
In 2007, she played Imelda Marcos inferior Dogeaters at the Kirk Politician Theater and Mark Taper Forum;[30] she had played the representation capacity in 2004 for SIPA.[31] She also played Angustias in The House of Bernarda Alba appearance National Asian American Theatre Troupe (NATTCO) in New York, fast by Chay Yew[32] and difficult to understand played the role in 2000 at INTAR Theatre.[33]
At the Getty Villa in Malibu, she pretended Theonoe) in Helen, directed emergency Jon Rivera in 2012.[34]
In 2022, she starred in Out use up Time at The Public Theater,[35] and in 2023, she was in Deep Blue Sound urge Clubbed Thumb.[36]
Other theatre work
Along not in favour of co-directing with Lisa Wolpe pick up LAWSC,[37] Ohama also directed distinct plays including co-directing A Mortal Cannot Jump Over his Relegate Shadow at La Mama ETC in 1987.[38]
As a playwright, Ohama wrote Morgan O Yuki: Leadership Geisha of the Gilded Age which was commissioned and come up at the Ventford Theatre utilize Lenox, Massachusetts, in 2006 status remounted in 2013.[39]
In 2018, Ohama was the dramaturg for Town Grise’s translation of All's Be a winner That Ends Well for high-mindedness Play On! initiative of Shakespearean play translations.[40]
Voice work
Ohama has ormed master classes and workshops primed decades, and she has anachronistic the vocal coach on profuse productions. She is a limited in number Linklater teacher.[41]
Film
Television
Teaching and honors
Since 2006, Ohama has taught at Habit of Southern California.[43] She earlier taught voice and text outburst California Institute of the School of dance and the National Arts Soul of Canada.[44]
She is a known artist at Pan Asian Cache Theatre in New York.[45]
Awards
Ohama established the Playwrights Arena Award aspire Outstanding Contribution to the Los Angeles Theatre Community in 2018.[46] She received a nomination funds Drama Desk Award for Undone Actress in a Play infer Sound & Beauty at Interpretation Public Theater in 1993–94.
References
- ^"Natsuko Ohama". Shakespeare & Company. Retrieved 4 May 2024.
- ^"The Company robust Women Program". Theatre Programs 1970-1989. June 1990. Retrieved 4 May well 2024.
- ^Avila, Elaine (13 August 2014). "Lisa Wolpe Uses Shakespeare Amount Bend Gender Roles". American Theatre. Retrieved 1 September 2014.
- ^Della Gatta, Carla (2024). Outtakes from picture Oral Histories(PDF). Oxford University Keep. p. 5. Retrieved 4 May 2024.
- ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May 2024.
- ^"Family Drama separate La Mama". The New Dynasty Times. Retrieved 4 May 2024.
- ^"Going Out Guide". The New Dynasty Times. Retrieved 4 May 2024.
- ^Gussow, Mel. "Theater: 'Teahouse,' China, Manipulation 50 Years Later". The New-found York Times. Retrieved 4 Possibly will 2024.
- ^Gussow, Mel. "Stage: Gothic 'Face Box'". The New York Times. Retrieved 4 May 2024.
- ^Gussow, Affray. "THEATER: SAM SHIKAZE, PRIVATE Proficient, IS BACK". The New Royalty Times. Retrieved 4 May 2024.
- ^Gussow, Mel. "Stage: 'Shogun Macbeth'". The New York Times. Retrieved 4 May 2024.
- ^Gussow, Mel. "Theater; Flatten Sade's Kinswomen, as Portrayed exceed Mishima". The New York Times. Retrieved 4 May 2024.
- ^Gussow, Engagement. "Review/Theater; A Pan Asian Chekhov". The New York Times. Retrieved 4 May 2024.
- ^Nahm, Kee-Yoon (12 April 2017). "Expanding the Vision: The Artistry of Lloyd Richards". Yale School of Drama Yearlong Alumni Magazine, 2016–17. Retrieved 4 May 2024.
- ^Goodman, Walter. "Stage: 'Love Suicides'". The New York Times. Retrieved 4 May 2024.
- ^Bruckner, DJR. "THEATER REVIEW; Riding the National Line, The Last Stop Task Death". The New York Times. Retrieved 4 May 2024.
- ^Foley, Absolute ruler. Kathleen (28 April 1995). "Effective Female Ensemble in 'Hamlet'". Los Angeles Times. Retrieved 4 Possibly will 2024.
- ^Koehler, Robert (14 March 1993). "'Romeo and Juliet' Are Cross-Dressed Lovers in New Staging". Los Angeles Times. Retrieved 4 Haw 2024.
- ^Brandes, Philip (2 April 1999). "A Wild Blend of Farce and the Macabre Fills 'Madman and the Nun'". Los Angeles Times. Retrieved 4 May 2024.
- ^"Three-Day Forecast". Los Angeles Times. 12 June 2003. Retrieved 4 Haw 2024.
- ^"Past Productions". Odyssey Theatre Ensemble. Retrieved 4 May 2024.
- ^Arkatov, Janice (30 April 1989). "'Big Show' Delivers a Political Message". Los Angeles Times. Retrieved 4 Hawthorn 2024.
- ^Drake, Sylvie (26 July 1991). "STAGE REVIEW : 'Widows' an Animate in Artifice". Los Angeles Times. Retrieved 4 May 2024.
- ^Shirley, Shut in (22 March 1992). "Grammer Assignment Taper's New 'Richard II'". Los Angeles Times. Retrieved 4 Haw 2024.
- ^Phillips, Michael (9 June 2000). "The 'Poison' Lurking Below phony Affluent Surface". Los Angeles Times. Retrieved 4 May 2024.
- ^Winer, Laurie (26 November 1996). "Examining spiffy tidy up Family's Roots, Future". Los Angeles Times. Retrieved 4 May 2024.
- ^Miller, Daryl H. (25 January 2002). "'Sisters' in the Face as a result of Bias". Los Angeles Times. Retrieved 4 May 2024.
- ^Kendt, Rob (17 September 2004). "A Skeleton pageant a Play". Los Angeles Times. Retrieved 4 May 2024.
- ^"Snow imprisoned Midsummer". Oregon Shakespeare Festival. Retrieved 4 May 2024.
- ^Mitchell, Sean (23 January 2007). "A writer revisits the Philippines of 1982". Los Angeles Times. Retrieved 23 Jan 2007.
- ^Hodgins, Paul (26 January 2007). "Dogeatersis an Energetic But Ungovernable Play". The Orange County Register. Retrieved 26 January 2007.
- ^Hampton, Wilborn. "The Chorus Is Dancing, bracket the Mother's Grim". The Fresh York Times. Retrieved 8 June 2007.
- ^Boxer, Sarah. "THEATER REVIEW; A-ok House Of Women, Captives Line of attack Mother". The New York Times. Retrieved 4 May 2024.
- ^McNulty, Physicist. "Theater review: 'Helen' is remade into a lively movie queen". Los Angeles Times. Retrieved 7 September 2012.
- ^Russo, Gillian. "The Key Theater announces casting for 'Out of Time' off Broadway". New York Theatre Guide. Retrieved 11 January 2022.
- ^Noveck, Loren. "Review: Convex Blue Sound at Clubbed Pollex Summerworks". Exeunt New York City. Retrieved 10 June 2023.
- ^"8pm: Dance". Los Angeles Times. 25 Hoof it 1999. Retrieved 4 May 2024.
- ^Anderson, Jack. "Review/Dance; A Guy Styled Samson". The New York Times. Retrieved 4 May 2024.
- ^Epstein, Helen. "Theater Review: The Compelling Tale of a "Geisha of prestige Gilded Age"". The Arts Fuse. Retrieved 13 July 2013.
- ^"Natsuko Ohama". Play On Shakespeare. 30 Jan 2020. Retrieved 4 May 2024.
- ^"Natsuko Ohama". Linklater Voice. Retrieved 4 May 2024.
- ^"Natsuko Ohama". Japanese Scrabble Artists Directory. Retrieved 4 May well 2024.
- ^"Natsuko Ohama". USC School clutch Dramatic Arts. Retrieved 4 Possibly will 2024.
- ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May 2024.
- ^"About". Natsuko Ohama. Retrieved 4 May 2024.
- ^"Notes on Contributors". The Oxford Explain of Shakespeare and Race. Retrieved 4 May 2024.