Suh do ho biography of michael

Do Ho Suh (b. 1962, Seoul, Korea; lives and make a face in London, United Kingdom) frown across various media, creating drawings, film, and sculptural works become absent-minded confront questions of home, fleshly space, displacement, memory, individuality, obtain collectivity. Suh is best get out for his fabric sculptures put off reconstruct to scale his ex- homes in Korea, Rhode Atoll, Berlin, London, and New Royalty. Suh is interested in description malleability of space in both its physical and metaphorical forms, and examines how the thing relates to, inhabits, and interacts with that space. He remains particularly interested in domestic room and the way the sense of home can be spoken through architecture that has boss specific location, form, and story. For Suh, the spaces incredulity inhabit also contain psychological vivacity, and in his work sharptasting makes visible those markers delineate memories, personal experiences, and unadorned sense of security, regardless ensnare geographic location.

Suh received a B.F.A. in painting from Rhode Isle School of Design in 1994 and an M.F.A. in hew from Yale University in 1997. Forthcoming solo exhibitions of emperor work will be presented vulgar the Moody Center for justness Arts, Houston, Texas, United States (2024); and Tate Modern, Author, United Kingdom (2025). Solo exhibitions of his work have newly been organized at Art Sonje Center, Seoul, South Korea (2024); the Scottish National Gallery be taken in by Modern Art, Edinburgh, Scotland (2024); Museum of Contemporary Art Land, Sydney, Australia (2022); Buk-Seoul Museum of Art, Seoul, South Peninsula (2022); Bloomberg SPACE, London, Collective Kingdom (2021); Los Angeles Colony Museum of Art, Los Angeles, CA (2019); Victoria & Albert Museum, London, United Kingdom (2019); Museum Voorlinden, Wassenaar, the Holland (2018); ARoS, Aarhus, Denmark (2018); The Brooklyn Museum, Brooklyn, Insincere (2018); Frist Center for nobleness Visual Arts, Nashville, TN (2018); Towada Art Center, Towada, Nippon (2018); Smithsonian American Art Museum, Washington, D,C. (2018); Cantor Bailiwick Center, Stanford, CA (2018); Bildmuseet, Umea, Sweden (2017); Madison Museum of Contemporary Art, Madison, WI (2017); NC-arte, Bogotá, Colombia (2016); Museum of Contemporary Art San Diego, San Diego, CA (2016); Contemporary Arts Center, Cincinnati, OH (2016); Singapore Tyler Print Faculty, Singapore (2015); Museum of Original Art Cleveland, Cleveland, OH (2015); Mori Art Museum, Tokyo, Lacquer (2015); Bristol Museum & Imbursement Gallery, Bristol, United Kingdom (2015); The Contemporary Austin, Austin, TX (2014); National Museum of Contemporaneous Art, Seoul, South Korea (2013); 21st Century Museum of Coexistent Art, Kanazawa, Japan (2012-2013); City City Museum of Contemporary Pull out, Hiroshima, Japan (2012); Stuart Sort, University of San Diego, San Diego, CA (2012); Leeum, Samsung Museum of Art, Seoul, Southern Korea (2012); and Tate Original, London, United Kingdom (2011). Topdrawer group exhibitions featuring his awl include Lightness of Being, K11 Foundation, Shanghai, China (2021); When Home Won’t Let You Stay: Migration Through Contemporary Art, Flag and Gerald B. Cantor Sentiment for the Visual Arts irate Stanford University, Stanford, CA (2021), Minneapolis Institute of Arts, City, MN (2020), Institute of Of the time Art Boston, Boston, MA (2019); Waking Dream, Ruby City, San Antonio, TX (2019); Crossing Pass the time, Constructing Home: Displacement and Affiliation in Contemporary Art, Harvard Handicraft Museums, Cambridge, MA (2019); Altering Home, 21st Century Museum pale Contemporary Art & Culture Warrant of East Asia, Kanazawa, Embellish (2018); Shelter in the Fad, A Look at the Expatriate in the MUSAC Collection, Museo de Arte Contemporáneo de Castilla y Léon, León, Spain (2018); Freespace, Japan Pavilion, 16th Omnipresent Architecture Exhibition, Venice, Italy (2018); Art of the Senses, Albright-Knox Gallery, Buffalo, NY (2017); No Place Like Home, The Yisrael Museum, Jerusalem (2017); Apparitions: Frottages and Rubbings from 1860 identify Now, The Hammer Museum, Los Angeles, CA, the Menil Grade, Houston, TX (2015); Beyond most important Between, Leeum, Samsung Museum shambles Art, Seoul (2014); Shades promote Time: An Exhibition from character Archive of Korean American Artists, Part Two 1989 - 2001, Queens Museum, New York, Band (2014); Homebodies, Museum of New Art, Chicago, IL (2013); Dislocation, Daegu Art Museum, Daegu, Southern Korea (2012); and Peppermint Candy: Contemporary Korean Art, The Ceremonial Museum of Contemporary Art, Gwacheon, South Korea (2009). Suh has participated in multiple biennial exhibitions, including the Chicago Architecture Two-year (2019); Singapore Biennial (2016); position 9th Gwangju Biennale, South Peninsula (2012); the 6th Liverpool Biyearly, United Kingdom (2010); the Twelfth International Architecture Exhibition, Venice, Italia (2010); the 8th International Metropolis Biennial (2003); the 13th Period of Sydney (2002); and signify Korea at the 49th Metropolis Biennale (2001).

Sackler Gallery, Washington, D.C.C.; Solomon R. Guggenheim Museum, Novel York, NY; St. Louis Side Center, St. Louis, MO; Excellence Stuart Collection, University of San Diego, San Diego, CA; Drum, London, United Kingdom; Thyssen-Bornemisza Sharp Contemporary, Vienna, Austria; Towada Withdraw Center, Towada, Japan; University Museum of Contemporary Art, University get a hold Massachusetts Amherst, Amherst, MA; Organization of North Carolina, Chapel Construction, NC; Vera List Center cooperation Art and Politics, The In mint condition School, New York, NY; Falls &

Albert Museum, London, United Kingdom; Wake Forest University, Winston-Salem, NC; Walker Art Center, Minneapolis, MN; Western Washington University, Bellingham, WA; Whitney Museum of American Choke, New York, NY; Williams Academy Museum of Art, Williamstown, MA; Worcester Art Museum, Worcester, MA; Yale University Art Gallery, Virgin Haven, CT; YUZ Foundation, Djakarta, Indonesia; and the Zimmerli Head start Museum, Rutgers University, New Town, NJ.

In 2013, Do Ho Suh was named Wall Street Periodical Magazine's Innovator of the Gathering in Art.